![]() Bear in mind, however, that this is an R-rated film, regardless of what label the MPA put upon it. My advice is to avoid the film, or at least wait until the DVD. As a comedy, it is crude, rude, and unfunny. As a heist film, it is illogical (how much weight does an elevator hold?), absurd (apparently the FBI doesn’t even bother to check glove compartments in cars), and cliché. Ultimately, “Tower Heist” is a film which should have been left in the discarded script pile. The $20,000,000 which should have been divided among the victims, is divided among the robbers alone. ![]() It promotes relative morality and the same sort of excuses which these same white collar criminals used to embezzle money in the first place! Thus, our “heroes” are in reality the same as the white collar criminals they revile. Yes, it is “just a film” but it is a film which is set against the backdrop of real white collar crime. This sort of justification for sin is too common in our society and the current political climate, particularly given the Wall Street backdrop, paves way for the justification which people use for sin. The victim is not really the Wall Street guru but the millions of people he ripped off are equally robbed by our “heroes.” They are cheated for $70,000 and steal $20,000,000 which rightly belongs to many other victims. Although we are supposed to sympathize with these crooks for “ stealing back what was stolen from them,” this is not really true. ![]() Sexual comments and innuendoes also went far beyond the pale with constant jokes about sex, prostitution, lesbians, and Murphy giving detailed discussion and evaluation of women’s “boobies.”įinally, the morality of making heroes out of criminals is certainly one which parents will want to address. The language alone is excessive, including countless (I mean I literally could not keep count) vulgarities and profanities. This is a prime example of a movie which has no excuse for not getting an R-rating. The greater problem with “Tower Heist” is that the entire barrage of humor is crude, rude, and unfunny. I shant detail the specifics, but there is between a difference a ludicrous but amusing heist, and a simply unimaginative heist hiding behind the “comedy” label to excuse a lack of imagination and illogic. Nevertheless, our band of hapless thieves proceed to pull off the robbery of the century, all while the goods are protected by FBI agents. ![]() Since the film is transformed in a comedy (of sorts), this is excusable, or would be if it were actually funny. He, therefore, enlists the help of petty crook Eddie Murphy to steal $20,000,000 which Alan Alda has stashed away in his apartment.Įxactly how Stiller knows where the money is hidden, since the FBI go over everything with a fine tooth comb, is only cursorily addressed, as is the logic of most of the caper. When the FBI show up at his ritzy apartment and seize his assets, the apartment manager ( Ben Stiller) realizes that he and many of the apartment staff have also been cheated out of their life savings. The plot revolves around a Wall Street guru ( Alan Alda), who has been funneling money into his own pockets. Nevertheless, the humor (most of it poor and crude) is stashed between boring, predictable, and stale heist scenes with a predictable ending. I got the feeling that the story had been kicked around Hollywood for years, being rejected by producer after producer until Murphy and Stiller saw an opportunity to transform it into a caper comedy. However, Stiller and Murphy, despite their attempt to infuse some humor upon the script, fail to lift the script above its implausible and predictable origins. If you have seen the movie, what you saw was a stale caper film rewritten for the talents of Ben Stiller and Eddie Murphy. If you have seen the commercials, you were doubtless expecting a rip roaring comedy about a Wall Street crook getting his comeuppance. “Tower Heist” is a prime example of good, but dishonest, marketing. One thing they do not have is honest marketers. Hollywood has great marketers and horrible marketers. Brett Ratner-“ Rush Hour” 1-3, “ X-Men: The Last Stand,” “ Red Dragon”
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